Evan Cortens holds a PhD in Musicology from Cornell University (2014), with a focus on eighteenth-century German music. His dissertation, entitled “The Sacred Cantatas of Christoph Graupner: Music at the Intersection of Opera and Theology,” examines the cultural and historical context of the sacred works by this contemporary of J. S. Bach. Evan also holds degrees in musicology from the University of Calgary (2006) and Boston University (2008) and his research interests include the computer-aided analysis of musical manuscripts. He spent the summer of 2012 conducting archival research in Darmstadt, Germany supported by the Deutscher Akademischer Austauschdienst (DAAD) and in 2013, attended the inaugural Studienkolleg at the Mozarteum, in Salzburg, Austria. He has published in Bach: The Journal of the Riemenschneider Bach Institute, Eighteenth-Century Music, Notes: Quarterly Journal of the Music Library Association, Haydn: The Journal of the Haydn Society of North America and the Newsletter of the Society for Eighteenth-Century Music and his edition of Johann Samuel Schroeter’s Six Keyboard Concertos, op. 3 was published by A-R Editions in 2013. In 2011–12, Evan served as the President of the Cornell Graduate and Professional Student Assembly. In Spring 2013, he was privileged to teach at the Auburn State Correctional Facility as part of Cornell’s Prison Education Program. From January 2014 to April 2015, he held the title of Assistant Professor (Part-Time) in the Don Wright Faculty of Music at the University of Western Ontario.
Evan's research focuses on the music of the long eighteenth century. Though his dissertation is on the sacred cantatas of Christoph Graupner, he has also published on the music of J. S. Bach, Johann Samuel Schroeter and Joseph Haydn.
For a complete list of publications, see Evan's profile at academia.edu.
Email: evan.cortens [at] gmail.com